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Welcome to Plantasia Space
Gofman, P. M. (1797). Collection de curiositΓ©s du Royaume des plantes. [St. Petersburg: s.n.]. Dumbarton Oaks, Biodiversity Heritage Library. Source

Welcome to Plantasia Space

Β· 3 min read

Plantasia Space is a regenerative music platform born from the dream of creating a borderless aural community. It is a project initiated by π΅π“‡π“Šπ“ƒπ’Ά π’’π“Šπ’Άπ“‡π“ƒπ’Ύπ‘’π“‡π’Ύ, developed over more than ten years, shaped by her experience in collectives such as Exoplanetas, Head Brothers, and Aventuras Sonores, where the exploration of sound, worlds, and imagination has always been a central thread.

Together with Gabriel Vigliensoni, electronic music artist, performer, and researcher working at the intersection of sound-making and machine learning, Plantasia Space is shaped by a long-term collaboration that began in 2006. Their shared practice brings together artistic exploration, sound experimentation, and advanced research in music technology, forming a vision where creative practice meets technical innovation.

Here we propose a playground for listening and creation: a space where each xPlorer can launch sounds, publish them, place them inside entangled worlds, and transform them using orbiters β€” tools that invite play, exploration, and real-time regeneration of sound. Each audio is published so it can be listened to, re-created, and reshaped into new forms by the community.

Plantasia Space is grounded in the idea that listening is not a passive act: it is a way of relating to others, to the environment, and to oneself. For this reason, the project aims to move away from a one-directional, consumption-driven listening experience, proposing instead an open, participatory, living practice where imagination and technology meet to form new sonic dimensions. Regenerative music is not only tied to the regeneration of music itself, but also to the question of how, from within the music industry, we can work in an accountable way β€” introducing a model that is being designed to work in balance between stakeholders, including landscape (nature + human wellbeing) in the equation.

This project invites us to explore together, to create, and to regenerate possible worlds through sound, sustaining a community that values curiosity, play, and diverse ways of listening.

With love. π΅π“‡π“Šπ“ƒπ’Ά.

β€œSound is the β€˜voice’ of a society, of a landscape, of an environment. If we understand the meanings of sound we understand what a place, a society is saying about itself. If we understand the behaviour of sound we can hear how a society behaves towards its environment.” β€” Hildegard Westerkamp’s official writings archive.

In honor of Morton S. β€œMort” Garson, a Canadian composer, arranger, songwriter, and pioneer of electronic music, best known for albums from the 1960s and 1970s such as Mother Earth's Plantasia.